TURANDOT

12+

improv comedy
based on the fiaba by Carlo Gozzi
The premiere took place
30 January 2025

2 h 45

with intermission

As one of my mentors used to say, “If you want to stage contemporary performances, go back to the roots, look back.” Our “Turandot” is contemporary because it’s long forgotten… It’s a contemporary take on ancient theatrical traditions. A look back from the present into completely new and unfamiliar forms.

Commedia dell’arte is a forgotten form of Italian folk theater. Although its masks are key to the entire theatrical art, because each actor wears a mask during the performance, invisible to the audience. But in the case of “Turandot,” we make them completely visible. So we say—this is open theater; we have nothing to hide. Improvisation, dexterity, flexibility, and grace combined with the expressiveness of the masks—that’s what our production is all about.

Roman Malai, director

PRODUCTION GROUP

Director, author of the stage version: Roman Malai

Scenography and costumes: Ecaterina Salimova

Mask sculptor: Alexandr Medinschi

Music: Ilia Vivici

Choreographer: Liza Luchianova

Training “Commedia dell’Arte”: Petru Marginean

Artist: Evghenii Medvedev

Turandot, Princess of China, daughter of Altoum – Ирина Тарасюк

Altoum, Emperor of China – Денис Перев

Adelma, Princess of Tartary, Turandot’s favorite slave – Яна Лазарь

Zelima, another slave of Turandot – Екатерина Браусова

Barakh, under the name Hassan, former teacher of Calaf – Николай Незлученко

Kalaf, prince of the Nogai Tatars, son of Timur – Артем Гончаров

Timur, Tsar of Astrakhan – Мария Батырмурзаева

Pantalone, Altoum’s secretary – Виталий Павлюков

Tartaglia, Grand Chancellor – Яков Грибиненко

Brighella, Chief of Pages – Даниел Мунтян

Truffaldino, chief of the eunuchs of the Seraglio of Turandot – Алина Гриневич

Assistant director: Liubovi Danalachi / Denis Perev / Igor Bostanica